Tampilkan postingan dengan label Marathons. Tampilkan semua postingan
Tampilkan postingan dengan label Marathons. Tampilkan semua postingan

Rabu, 22 Juni 2011

Summer of SciFi Announcement

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Sad news, folks. I'm having to put a hold on my Summer of Sci Fi and epic exploration of tons of the awesome sub-genres, niche genres and genre mashing goodness. Originally I just delayed the marathon but I've realized it's just too much at the moment. I've never, ever, stopped a marathon, challenge or anything-a-thon once I've started our of the 16 I've participated in, led or done on my own over the years. Since I first announced the Summer of SciFi I've found out that I'll be moving smack-dab in the middle of summer and I know with that in mind I can't do this marathon to justice with the time and attention it deserves. I'll still be reviewing all the 2011 summer science fiction films that I see (and that's still lots!) and hope to come back to this exploration in the future.

I'll keep the original post as a home base for reviews for summer SciFi films, and it already includes X-Men First Class and the awesome film Super 8 and I look forward to Cowboys and Aliens, Rise of the Planet of the Apes and many more of the films coming out this summer.

Thanks so much for your understanding! Looking forward to getting settled in a new place soon.

Rabu, 08 Juni 2011

Summer of Sci Fi Will Begin Next Week!

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Note: I have no idea what settings my camera was on to get such a crazy washed out pic!

So. Today was to be my first post and review and exploration for the epicness of Summer of SciFi. But, here's the thing. Somehow I didn't really factor in the fact I would be away for a week while at the World Domination Summit and that during that time, I may ... perhaps... may not see a SciFi film. Ah, I should have seen that one coming! Must have been distracted by all the great coffee and general awesomeness of Portland. But don't worry, I'll still have 12 weeks of SciFi goodness to share and explore.

For those chomping at the bit to get going, I'll be starting next week with X-Men: First Class and/or Super 8 and/or The Tree of Life and their possible SciFi goodness (still have to see Super 8 to figure out which subgenre category it fits in). I've also posted a poll where you can vote for which of the subgenres you are most interested in. It's a vote for as many as you like poll, so click as many options as you like!

Thanks for your patience.

Kamis, 02 Juni 2011

Movie Moxie's The Summer of SciFi

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Please note that the Summer of SciFi is on hiatus, see announcement here.

Yes, it's time. Time to take on a new marathon. After the epic 33 genres analyzed on the Movie Moxie Podcast I've decided to take a less lengthy, but still genre-centric marathon with: Movie Moxie's Summer of Sci Fi. That's right, it's time to open those pod bay doors and see what's out there.

Every week I'll be taking on a subgenre or microgenre of science fiction films and looking at it through reviewing and older and/or new theatrical release on the site & the Movie Moxie Podcast through June, July and August. Subgenres can including anything from disaster films to dystopic film, robots to aliens, time travel to space travel. Originally I thought it might be a stretch to get 12 weeks worth of minigenres but I actually have a list of 37 (an counting!) so far. It's going to be so much fun and there are so many great films to explore. I'm really looking forward to revisiting some classic science fiction (see header for hints) as well as enjoying many of the theatrical releases will see through the summer months.

Summer 2011 titles for consideration include: X-Men: First Class, The Tree of Life, Super 8, The Green Lantern, Captain America: The First Avenger, Rise of the Planet of the Apes and Cowboys & Aliens. And although it's not likely that I'll be taking in Transformers: Dark Side of the Moon, but for the super-completist it techincally is science fiction.

When I'm back in town I'll be sharing more on the specifics, but I'll hint now that I'm a big fan of 70's SciFi, dystopic/uptopic SciFi, realistic & futuristic SciFi and of course aliens. Feel free to join me in watching along. I can't wait to get started!

Movie Moxie's Summer of SciFi - Delayed (see announcement):
Begins: Wednesday June 15, 2011 (revised)
Ends: Wednesday August 31, 2011

Reviews of 2011 Summer SciFi Films:
Super 8
The Tree of Life
X-Men: First Class

Senin, 03 Januari 2011

2011 at Movie Moxie: Looking Back & Ahead

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At this time of year where transition is at the forefront of my mind, I've been looking back and remembering the year, as well as planning what to focus on in the upcoming year. 2010 brought Toronto 353 releases in 365 Days, which is up from 334 in 2009 (I think we have Lightbox to thank for the new titles!). There were 50 Canadian in that 353, up from 48 in 2009 but the big jump was a whopping 25 releases that were in 25. That's an average of 2 a month, and overall most people still just complain about it, and then might mention 1 or 2 scenes in the film that was great. Very interesting. Personally, I saw 148 of the 2010 releases in different viewing experiences from festivals as early as 2008 to actually in the theatre on opening day. Overall, when I look at all the 2010 films I reviewed plus the straight to DVD 2010 release, I reviewed over 100 of the films that were released in 2010.

That's a personal best for me for films reviewed and films seen throughout the calendar year, and it's one number I always hope that the next year I'll see more than the year before. Both of those I'd like to do the same or more in 2011. I don't think I'll try and best my total films seen which in 2010 clocked in at 418 Films. I was very surprized as that one, it's usually in the 350-area. I also got out to many festivals, all of which I am hoping to attend and/or cover again, as well as add more to the roster there.

2011 marks my fifth year of writing about film online. Five years! That kind of freaks me out. Movie Moxie was launched in 2007, and I wrote about film at my personal blog starting January 2006. But it all started with my email newsletter Film Fan Fridays which I started in 2003 to spread the word on Canadian, foreign and independent film. Although many years have passed, and my interests have broadened to include many film genres (or simply, "genre" film), but that focus on that focus on sharing the weekly film releases here in Toronto and specifically spreading the word on Canadian, foreign and independent film has stayed the same. I also stand firm on my spoiler-free review policy (778 reviews strong), giving the reader just enough information to be able to tell if it's a film they would be interested in seeing, without spoiling any of the film. It's amazing to look back over the years and see the things that change, and the things that stay the same.

So, before getting to what we'll be looking at in 2011, I'd like to take a moment to look back at 2010.

New Additions to 2010
  • Movie Moxie Podcast I'm so freaking happy that I finally launched the Movie Moxie Podcast, I think it's the thing I'm most proud of in 2010 and took lots and lots of learning along the way. I've wanted to do one since 2006, so it's been a long time coming and it's the only spoiler-free film podcast out there! I also co-host two podcasts, edit another and I love being a guest. You can find all the podcasting details here.
  • DVD Reviews Although I did start them technically in 2009, I really started writing a lot more DVD reviews this year and there has been some real gems out hitting the shelves.
  • Movie Moxie Monthly Although not technically on the site, it's a nice companion piece: a monthly newsletter of highlights from Movie Moxie. Perfect for if you are overwhelmed or mystified by RSS feeds or various readers. Sound good? You can sign up for it here.

Marathons & Challenges
  • Sword & Sandals MarathonOh, boy - this one was a lot of fun! From Greek Mythology to biopics to Conan, there were lots of fun films to explore
  • Wolfathon - Werewolf film marathon was a bit of a hit & miss, but I definitely honed in on the things I like, and don't like, about certain horror films. Also got to see some new, unexpected gems.
  • 2010 Book to Film Challenge I read 20 books that were either already or at the time upcoming film adaptations. This was unexpectedly a lot easier than I expected and one that I actually thought might have been too ambitious, but turns out that it only encompassed 1/4 of the books I read all year! Fun times.
  • 2010 Owned/Unseen Challenge The only miss on the list, I sadly only saw 11/19 of the titles that I had owned but unseen at the beginning of 2010. I did make a push towards the end of the year to finish it but I really hit what I call a 'myriad of mediocre'. I do hope to see most of the remaining films, however will do so on a non-deadline pace.

List Goodness
Lists are one of my favourite things to do, although I rarely do ranked lists I love doing other lists either archival, alphabetical, random collections or super-specific. Here's a selection of some of my favourites & the stand-by regulars from 2010:
Changes
  • Box Office This one I'm actually taking down a notch and going to shift to only keep tabs and share the weekend number ones by date and by gross for the year, as opposed to writing about box office each and every week.
New for 2011
  • 2011 Book to Film Play-Along Challenge - love to read the book before you see the film? So do I! I'm stepping up a notch and spreading the wings on reading this year and going to be doing a book-to-film challenge where you can play along! I'll be releases the lists of titles and all the details very soon (and still taking recommendations you can comment or contact me by email).
  • Marathons I'm definitely looking to do a few marathons this year and there are a lot of fun options but so far options are female protagonists, science fiction, dance films and fighting/martial arts films. I always like to align the marathons countdown-style to an upcoming releases so that will tailor the choices and timing.
  • Opinion & Reflection I do a lot of thinking about film and a lot of talking about film, but it doesn't always make it to the page. I'd like to change that and have more writing and sharing about film in general, what I'm noticing in trends, habits and experiences.
  • International Film Festivals by far one of the highest interests people mentioned on coverage at my end of year survey was International Film Festivals. I'm down with that!
  • Happy Surprizes Who knows what this could be, but I always like to leave room for happy surprizes on lists.
Continuing
Thank you to everyone who filled out the survey, everyone who listens to the podcast, everyone who signed up for the newsletters and to my regular readers. Sharing and spreading the word on amazing film is the reason I do this, so I'm glad we are connecting.

If you'd like to sign up for Film Fan Fridays or Movie Moxie Monthly, you can do so here.

Rabu, 21 Juli 2010

Wolfathon in Completathon Vlog





It's vlogging madness this week! It's been a bit since the Wolfathon came to completion, which means it's time to look back and go through all of the films I've seen for the marathon from the ones I loved, to ones I didn't love so much. From discussed themes, effects, what I learned about werewolf films & myself along the way and of course my favourites werewolf films.

You can see all the werewolf films I've reviewed for the wolfathon and beyond here.
I also mentioned the Vampathon, the vampire film marathon I did last year.

Rabu, 23 Juni 2010

Ginger Snaps

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Dir: John Fawcett (The Boys Club, "The Border", "The Bridge")
Cast: Katharine Isabelle, Emily Perkins, Kris Lemche, Mimi Rogers, Jesse Moss, Danielle Hampton
Canada, 2000

Seen: Re-visited June 22, 2010 and originally seen on TMN

Reason to Watch & Review: For The Wolfathon *

I love Ginger Snaps. I loved it when I first saw it and loved it all the more re-visiting it for The Wolfathon. The idea is brilliant, overlaying female puberty and sexuality in a werewolf film. Lunar cycles, body changes, transformation... it's freaking brilliant idea and results is a hilarious, dark horror film.

The central characters of the film are the Fitzgerald sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), macabre teens stuck in suburbia who swear oaths and vulgarities while going through the every day motions of teen life with school, parents and boys. I love that the film features sisters, and this one really does show the sibling bond and how far they will go to help each other. Sure, it's in a completely dark and twisted sense - but the sentiment is still there. How they incorporate the changes of puberty is done so well, from awkward 'your body is changing' conversations to frustration, pain, coping and empowerment, it's all there with full colourful commentary throughout.

In terms of being a werewolf film, it certainly draws on and is aware of the lore and gives it this new twist thematically but still hits all the right marks. In terms of effects and gore, it's present in bucket loads. This film does not hold back, you've got blood, guts and bites all over the place. The effects overall are pretty impressive too, not just how they look but the creative choices and how they are featured throughout the film.

The premise of Ginger Snaps is so brilliant, it's a surprize that no one had done it before. But, I'm glad because then we would have ended up with something else and I love the film that it is: smart, gutsy, gory and totally female focused from start to finish. I wish we had more films like this out there.

Warnings: Gore. Lots of gore.

Shannon's Overall View:
I loved it
I own it
I highly recommend it

Return to Film Reviews

© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

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Rabu, 16 Juni 2010

The Howling

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Dir: Joe Dante (Gremlins, Innerspace, The Hole)
Cast: Dee Wallace, Belinda Balaski, Elisabeth Brooks, Patrick Macnee, Dennis Dugan, Robert Picardo, Kevin McCarthy
USA, 1981

Seen: Revisited June 15, 2010

Reason to Watch & Review: For The Wolfathon *

I was convinced that The Howling had to be just 'one of those horror films' I'd seen as a kid, but after rewatching it - I think not. I saw many films at an inappropriately young age, but this was not one of them and it certainly would have been inappropriate.

The Howling is a bit of a doozy. It almost plays like 2 separate films: a serious slasher horror film and a campy werewolf film, and rarely do these two films meet either narratively or tonally. It's interesting to see the slasher side of things from a historical context, because now it's they are so formulaic, obvious and campy, but here it's actual feels scary and extremely threatening. I think it hits a different tone in The Howling as it really plays the sexual violence card, although indirectly, is still present in the film and to be honest is so disturbing that I'd likely not watch it again. Being in 1981 it's right around the time of Friday the 13th (1980) and My Bloody Valentine (1981), so it's still before the cookie cutter model of the slasher film, but they were certainly popping up.

The slasher aspect of the film really is only one aspect of the film, and is definitely there to serve as a threat and plot device. The film focuses on journalist Karen (Dee Wallace) whom goes to a retreat termed 'the colony'. Now, 'the colony' is where it ends up going crazy campy, from lines direct to the camera to ridiculous things put together that are implausible, to crazy 'eccentric' characters. We're talking pretty over the top here, and add the 80's charm of high waisted pants, guys with feathered hair and pretty overt symbolism. These parts of the film were rather entertaining.

As a werewolf film, it's clearly using it with a social commentary probably more overtly than any other film I've seen literally talking about the beast inside us, etc. I found that clearness, although sometime funny, was actually refreshing. It had something to say - and it said it. It's not a moral lesson or preachy, it's purely for entertainment. Now the effects on the other hand - they were all over the place. Sometimes they looked amazing, sometimes they looked ridiculous, but there certainly is a lot to look at. Although using the mainstay of editing is used, it also uses lots of direct long shots that I was mystified (and at times grossed out) at what they did. Any way you slice it, it was impressive in terms of volume and results. It's also pretty gory, that and the sex & nudity give it a clear R rating for the time.

Overall, it's not really to my taste. It it was all campy I would have enjoyed it more, and I appreciated that there were a fair amount of women characters, but the sexual violence made it uninteresting. It's 'one for the vault' in terms of werewolf films and I appreciated getting a sense of where it stood historically with other slasher films. I think I likely have seen already seen The Howling II, but either way I don't think I'll be continuing to explore this series.

Warnings: sexual violence, gore

Shannon's Overall View:
I didn't love it
I'd not likely watch it again
I'd recommend it for fans of quirky & gory horror and werewolf completists

Return to Film Reviews

© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

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Rabu, 09 Juni 2010

The Fury of the Wolfman / La furia del Hombre Lobo

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Dir: José María Zabalza (El vendedor de ilusiones, Divorce, Andalusian Style)
Cast: Paul Naschy, Perla Cristal, Verónica Luján, Francisco Amorós, Miguel de la Riva
Spain, 1972

Seen: June 8, 2010 on DVD thanks to Zip.ca

Reason to Watch & Review: For The Wolfathon *

What a treat The Fury of the Wolfman / La furia del Hombre Lobo is. I've had a fair share of happy surprizes during The Wolfathon, but nothing like this yet. It's no brilliant, I'd say technically it's not even good, but it was a hell of a lot of fun to watch.

I was worried at first. The copy I got was often distressed and worst of all: dubbed. As is it turns out it just added to the flavour of the film which is melodramatic to the max and filled with a 60's science-y film feel to it, complete with minidresses and absolutely sensational stylings like Verónica Luján's Cleopatra-like make up, which I'm sure totally isn't out of place for her role as the assistant Karen.

Paul Naschy plays Waldemar Daninsky, recently back from Tibet when he starts to experience and engage in some bizarre activities. It's a little challenge to piece together the plot other than that as it often feels more than a little off. Actually, if feels like someone watched a bunch of werewolf films with the sound off and then made their own film. In a way, seeing this film dubbed, I felt like I was having that experience as well as I'm pretty confident some things didn't quite fit in with the translation. Add to it lots of odd edits, unexplained sequences and transitions and it really felt all over the place. But, even through there were little moments like that the story itself felt mostly cohesive. Bizarre, but highly entertaining and enjoyable combination.

The film on top of being a werewolf film, also has a strong 'mad scientist' feel to it, which I loved. It made it eerie and bizarre, and different from a lot of the other werewolf films I've seen so far. I also loved the women in the film. Verónica Luján as Karen is a lot of fun, but it's really Perla Cristal as Dr. Ilona Elmann who literally holds the film under her command. It's worth watching just to see her.

In terms of being a werewolf film, it certainly hits a lot of the marks you'd expect but definitely goes for a more science approach. It uses effects well and has a fair share of blood but the gore isn't the focus, it's more ideas-shaped horror with a fair amount of frightening scenarios and a lot of screaming.

Overall, I found it really refreshing. It's not polished by any means, but if was one hell of a fun ride.

Shannon's Overall View:
I enjoyed it
I'll watch it again
I'd recommend it horror film fans, especially if you like science-oriented, 60's-ness and/or great women in horror

Return to Film Reviews

© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

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Rabu, 02 Juni 2010

Wolfathon

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Somehow I managed to get more than halfway through this marathon without writing about what and why I'm doing it. Weird! Well, better late than never!

You all know I'm a huge fan of marathons, and with a Twilight film on the horizon I'm of course going to tie that into to a marathon. I decided to go furry this time round and hide away the silver, as I present The Wolfathon: a marathon to explore werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse.

Werewolf films tend to be way less popular than their often screen foe the vampire, but creature will all be treated equally here at Movie Moxie. Also, they do always come back such as this years The Wolfman (2010) which I rather enjoyed. So, bring on the fun, gore, guts, mayhem and hopefully a few creative interpretations along the way as we take a look through films that flourish under the full moon.

Titles up for consideration to be reviewed include: Ginger Snaps, The Fury of the Wolfman, Brotherhood of the Wolf and The Howling. Feel free to make suggestions if you have favourite werewolf films!

Wednesday April 14, 2010: The Wolfman (1941)
Wednesday April 21, 2010: Werewolf of London
Wednesday April 28, 2010: She-Wolf of London
Wednesday May 12, 2010: Bad Moon
Wednesday May 19, 2010: Wolfen
Wednesday May 26, 2010: An American Werewolf in London
Wednesday June 2, 2010: Ladyhawke
Wednesday June 9, 2010: The Fury of the Wolfman / La furia del Hombre Lobo
Wednesday June 16, 2010: The Howling
Wednesday June 23, 2010: Ginger Snaps

Ends: Wednesday June 30, 2010: The Twilight Saga: Eclipse

In summary, my Wolfathon Vlog going through all the film I saw for the marathon.

Ladyhawke

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Dir: Richard Donner (Superman, Superman II (2006), Lethal Weapon, The Goonies, Timeline)
Cast: Matthew Broderick, Rutger Hauer, Michelle Pfeiffer, Leo McKern, John Wood
USA, 1985

Seen: Many times in the 80's from my local video store
Revisited: May 30, 2010
on DVD

Reason to Watch & Review: For The Wolfathon *

Ladyhawke is one of those films that I have such fond memories of, that it's hard to... or rather it's not all that fun to look at with a critical eye. It is much more fun to just rather kick back and enjoy the ride.

Technically I'd have to say that it is a fantasy film, but I prefer to think of it as a historical set film with a little magic. On top of that we also get a fair amount of action and buckets and buckets of comedy. I don't know how the film manages to get all that in - not to mention the tragic love story - but it does, and it does it with charm and flair.

Matthew Broderick stars as Phillipe "Mouse" Gaston, our protagonist and continual comedic relief in the film, who reluctantly tags along with the ousted Captain Etienne Navarre played by (swoon) Rutger Hauer. Not a great start for them, but inadvertent companions tend to make for really good stories. Add to the mix the mysterious Isabeau d'Anjou (Michelle Pfeiffer), and we are well on to our way to not only adventures but romance as well.

One of the things I love about Ladyhawke is how it breaks convention. Matthew Broderick is obviously the protagonist of the film, but he's only part of the main story of the film. He's performance is charming and funny, and has many great one-liners that have stuck with me for years. Also, the effects in Ladyhawke are one of my favourite parts of the film, which is something that feels rare in 80's film, but what they've done is use creative interpretations of what is actually happening and uses that as the spirit of what we see. They may not be obvious choices, but they certainly are effective choices and I love how they were used in the film. Addd the rugged and handsome Rutger Hauer and charming Michelle Pfieffer to the mix, whom are both fantastic in their roles, what more could you ask for in a film?

I'm going to be straight with you. Saying Ladyhawke is a werewolf film is a bit of a stretch. Yes, there is a wolf, but it's completely separate from any werewolf lore I've ever encountered. I decided to include it in The Wolfathon because it's quite beloved not just to me but to many people I know. Also, it's actually the most aligned in theme in story to The Twilight Saga: Eclipse that any other film in the marathon so far, as the central storyline involves a romance and it also has a lot of action to boot.

Overall, I love this film and will always love it. The love story is beautiful, the effects are creative and the characters win me over time and time again. But. And there is a big but here, and that is the music. The music is so cheesy 80's that it's almost distracting. Okay, it is distracting. Every time I finally settled into it thinking "okay, I can handle that", somehow it got more 80's. It's a little crazy. But, it does add to the charm of the film as it wouldn't be the same without it. Fair warning for those who are going in as first time viewers. It's totally worth it, but you've been warned!

Fun fact: John Wood, who plays the Bishop of Aquila in Ladyhawke also co-starred with Matthew Broderick in the 1983 film Wargames, where he played the reclusive Falken. Took me a bit to place it, but it all comes down to the voice. Very recognizable.

Shannon's Overall View:
I loved it
I own it, and I'll re-watch it again and again
I'd recommend it to fans of fantasy with a love story, but note that you are braving a very 80's soundtrack

Return to Film Reviews

© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

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Rabu, 26 Mei 2010

An American Werewolf in London

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Dir: John Landis (The Blues Brothers, Trading Places, Coming to America)
Cast: David Kessler, Jenny Agutter, Griffin Dunne, John Woodvine, Frank Oz
UK/USA, 1981

Seen: When I was way to young to watch it! Plus several times since then including May 21, 2010 on DVD

Reason to Watch & Review: For The Wolfathon *

The Wolfathon has been filled with new-to-me films so far, but An American Werewolf in London brings us to one of the more generally seen werewolf films, and it's one I have strong memories of. For me, my strongest memory of the film is it literally scaring the crap out of me. I'm shocked to think it's not on my Scariest Films of All Time list. I think I left it off the list because I thought (correctly) that I just saw it when I was inappropriately young, like younger than 10 years old, and also (incorrectly) that it wouldn't be scary as an adult. My bad there - it's still totally scary.

The amazing thing about An American Werewolf in London is that it excels on so many levels, although the acting isn't really one of them. It's not awful, but it feels intentionally obvious at times and somehow this really works for the film I'd even say that future horror films try to capture the same charm, and not not that many succeed. The story is firmly centred in traditional werewolf film lore a la The Wolf Man (1941), but brings great new flavours to the mix, namely fantastic effects and cheeky comedy. These are the two things that really set it apart, make it memorable and they both really hold the test of time over the years.

I completely expected not to be freaked out by it this time round, therefore was completely taken aback by when I almost spilled my bowl of popcorn during some of the freaky bits. It's goes all out on the scary front. The effects amazingly hold up even though it's from almost 30 years ago, and they use lots of different effects used throughout the film. It was a little more violent than I remember, and although it does have pop scares it doesn't rely on them and it's they actually work. It also uses not just frightening images but also freaky ideas and uncomfortable situations to make it even more visceral. But, because it often pairs this with comedy, you get relief and moments to laugh at throughout the film as well. They also use the soundtrack to their advantage, by using pretty much any song of that has 'moon' in the title, and places them perfectly in the film.

It's a total must-see for if you like horror or werewolf films as it uniquely incorporates the lore into every aspect of the film. I'd even go as far to say that anyone who can stand the gore and violence should see it, especially film fan. The comedy element, along with how it points out the ridiculousness of film devices, makes it a true gem.

Warnings: gore, violence, frightening images & situations

Shannon's Overall View:
I loved it, but it still scares me!
I'll buy it
I'd recommend it as all horror fans, especially fans of gory horror or horror comedy

Return to Film Reviews

© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

Rabu, 19 Mei 2010

Wolfen

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Dir: Michael Wadleigh (Woodstock)
Cast: Albert Finney, Diane Venora, Gregory Hines, Edward James Olmos, Dick O'Neill
USA, 1981

Seen: May 18, 2010 on DVD

Reason to Watch & Review: For The Wolfathon *

Wolfen marks the fifth instalment of The Wolfathon, and is one of the more recent films of the marathon. It's year of release bears good company as 1981 seems to be the year of the wolf, bringing us not only Wolfen but also The Howling and An American Werewolf in London (and yes, those are planned to be included in the marathon as well). I wonder what it was that brought all the different minds to explore werewolves at that time, especially considering they are all such different takes on the genre. Wolfen started as a mystery to me, never having heard of it before hunting for werewolf films and went I saw that it started Albert Finney (Big Fish, Saturday Night and Sunday Morning) and Edward James Olmos ("Battlestar Galactica"), I knew I couldn't resist.

Wolfen follows Dewey Wilson (Albert Finney) a New York cop investigated brutal murders. He's a bit rough around the edges in comparison to his colleagues, but gets along well with coroner Whittington (Gregory Hines) and Rebecca Neff (Diane Verona), whom I was never quite sure exactly what her characters job was, other than that it involved knowledge gathering, high tech surveillance and extremist groups. When you look at these elements: brutal crime, forensics-focus along with tech and international range, it sounds like a film that could be out right now. Sure, the tech is classic early 80's but it amazingly holds it's own as it's always closely linked to the story. It's actually the first 80's film I've seen where I enjoyed the visuals, albeit dated, without a nostalgic or comedic tie to them. They were, simply put, good. It's so strange. But that ties into the biggest strength of the film: it's gorgeous to look at. The cinematography is really beautiful, showing clear cityscapes and lots of interesting shots from steadycam to sweeping overheads. Totally not what I was expecting from early 80's horror!

Although we have a fair amount of solve-the-mystery style storytelling, we get a lot of visual storytelling as well which I found to be surprizingly effective. But, at almost 2 hours I found my interest did wane a little bit here and there, but I think that is because it's primarily a drama/intrigue tale which isn't my favourite. But I enjoyed the horror elements, although there wasn't tons of tension it did have all the gore and effects you'd expect from a werewolf film. This was impressive as well, and I'm not surprized it received an R rating at the time because the effects are both gory visually as well as conceptually. They also manage not only to creep you out with what you see, but also viscerally with the use of description and discussion of ideas throughout the film. They also use a fair amount of non-gore visual effects that are impressive, although some may be familiar to fans of other genres.

In terms of being a werewolf film, it takes quite a different tone and stance than other werewolf films I've seen although it still manages to take on the spirit of the themes related to werewolf films. It was nice to see a different spin while still maintaining ties to the genre. But the stars that aren't on the cast list are the wolves. Wow, the wolves are truly beautiful - this was a huge treat and another highlight of the film.

Overall, I enjoyed it visually as well as getting to see Albert Finney and Edward James Olmos in completely different roles than I'd ever seen them before in. Edward James Olmos is particularly interesting in this one, although it's a supporting role. Although I don't think it would end up being a huge repeat watcher for me, I still really enjoyed it and was happy to have found it.

Shannon's Overall View:
I enjoyed it
I'll watch it again
I'd recommend it to fans of horror/drama, crime films and werewolf films

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© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

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Rabu, 12 Mei 2010

Bad Moon

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Dir: Eric Red (Body Parts)
Cast: Mariel Hemingway, Michael Paré, Mason Gamble
USA, 1996

Seen: May 11, 2010 on DVD

Reason to Watch & Review: For The Wolfathon *

I went into this one totally blind and with only 2 things know about the film. 1) Werewolf film (meets criteria!) and 2) Michael Paré (bonus!). So, yeah... the thing about going into things totally blind is that results can certainly vary.

I got a little worried when after the title came up it said "Based on the novel Thor". Thor? What's not terribly wolf-like. Especially since up until then there was no sign of a Thor. Turns out he's the family dog. Oh boy. Family dog. In a werewolf movie. And, clock back there - a family in a wolf movie?

Bad Moon has just about every single in it that I don't like in horror, including ensuring that there is at least some gratuitous nudity (why or why does this keep getting thrown in bad horror movies) and really gory gore moments. Neither are extensive, btut they are present and feel like are literally there for tick-box "Yup, we got that!" reasons.

Oddly, even though I didn't like the above mention 'got that!' moments, it's a pretty traditional werewolf film hitting lots of the marks you'd expect but doesn't really play on many of the themes that can be explored with werewolf films. It also is very self aware of the genre at times and if this had been played for laughs being in a tongue-in-cheek way or winking at the camera it would have made it a lot more fun, but it's done completely deadpan. The effects weren't that great either, and definitely used different techniques at different times which didn't help to keep consistency of tone or style. On the effects note, I would have to give the film kudos for the make up department on the gore - when they went practical it was bloody good. Literally.

Overall it's not my kind of horror film. I'd rather a good story and tension over the perfunctory nudity & gore any day.

Shannon's Overall View:
I didn't enjoy it
I won't watch it again
I'd recommend it werewolf fan completist that like horror of the make-sure-there's-gore-&-nudity variety (but note there isn't much of either)

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© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

Rabu, 28 April 2010

She-Wolf of London

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Dir: Jean Yarbrough (Angels in Disguise, She's in the Army, South of Dixie)
Cast: June Lockhart, Sara Haden, Jan Wiley, Don Porter, Lloyd Corrigan, Dennis Hoey, Martin Kosleck, Eily Malyon, Frederick Worlock
USA, 1946

Seen: April 24, 2010

Reason to Watch & Review: For The Wolfathon *

I hadn't heard much abut She-Wolf of London, but it was on the same DVD as Werewolf of London so I thought I would give it a go for The Wolfathon, especially as there don't seem to be to many femme focused werewolf films. The focus here is a lot more on the femme than the werewolfness though, although I appreciated the almost completely female focused of the sotry and characters. The primary cast is a trio of women: the young & engaged Phyllis Allenby (June Lockhart), her aunt Martha (Sara Haden) and Martha's daughter Carol (Jan Wiley) who all live together on the Allenby estate with (gasp!) no men in the house. Shocking, isn't it? Well it did come out in 1946 and they are actually rather playful with the gender dynamics which makes it pretty entertaining.

The ladies are just going about their lives when fear is raised from attacks in a nearby park and the now there is a mystery is on to solve regarding the cause. Intertwined into the mystery are family histories, romances and local folklore. The film feels like serial in a lot of ways, using a lot of the ideas and themes from werewolf films with it's own spin on things but overall doesn't bring too much new to the mix. It actually felt more like a just a straight up drama than a werewolf film, as there wasn't a lot of horror elements or effects involved but rather kept the focus of the mystery side of things while presenting themes of remorse and regret. As a werewolf film, it's not quite up to the others I've seen but it is an enjoyable watch.

Shannon's Overall View:
I enjoyed it
I'll watch it again
I'd recommend it to fans of classic dramas

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© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

Rabu, 21 April 2010

Werewolf of London

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Dir: Stuart Walker (Great Expecations (1934), The False Madonna)
Cast: Henry Hull, Warnar Oland, Valerie Hobson, Lester Matthews, Lawrence Grant
USA, 1935

Seen: April 18, 2010

Reason to Watch & Review: For The Wolfathon *

My first reaction to Werewolf of London was relief that it was awesome. After last weeks The Wolf Man (1941) I was getting a little worried about this howlalicious marathon, but now I'm feeling right back on track. After relief came surprize, as it's an American film! I initially assumed it was UK considering the whole 'London' in the title, but now that I think about it that is only thing (other than accents) that reads non-American. Foiled again.

As a first time viewing it reminded me of a few things - one of which is that I love films of the 30's! There is a lovely joie de vivre in them, a lightness in tone even when placed in a monster movie. Another thing that could be tied to the time is that the women in the film rock. None are them are overly prominate in the film, but they are all strong and very forward, often in a comedic element but lovely nonetheless. The protagonist of the film is botanist Dr. Glendon (played by Harry Hull), whom we follow in his journeys in science and their interesting effects on his world. This added a classic crazy scientist element to the film, even though the botanist isn't all that crazy it still gives it that great old school horror feel, which makes up for it not being all that scary. The effects were quite well done, and that was surprizing considering it's 6 years before The Wolf Man (1941), although similar techniques seemed to be used they are executed much better hear. Even the use of blocking is incorporated much smoother here.

I didn't find it played with themes too much, focusing much more on the story and journey of the characters. If anything, it does touch on the horror or remorse, a theme I think we'll find common in werewolf films. Considering this is the earliest film on werewolves I've found I'm very interested to see it's influence on the other werewolf films as we go along.

Shannon's Overall View:
I really enjoyed it
I'll buy it
I'd recommend it to fans of classic horror

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© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

Rabu, 14 April 2010

The Wolf Man (1941)

Dir: George Waggner (Horror Island, South of Tahiti, Gunsfighters)
Cast: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Maria Ouspenskaya, Bela Lugosi, Ralph Bellamy
USA, 1941

Seen: April 10, 2010

Reason to Watch & Review: For The Wolfathon *

After the Vampathon last year in anticipation for The Twilight Saga: New Moon and recently finishing the Sword & Sandals Marathon, I couldn't resist taking on a new marathon. Aptly titled Wolfathon will be a marathon of werewolf films in anticipation for The Twilight Saga: Eclipse, to be released June 30, 2010.

Starting off classic, I decided to go to the roots with the 1941 version of The Wolf Man. Although not the earliest version out there, this feels like it's quite the touchstone. I do wish I had seen this one before the 2010 remake, but it wasn't in the cards. This version has all the makings of a classic horror film, with a strong leading character, a girl and a mysterious creature with it's own lore.

We hear that lore a lot. In fact, I was surprized at how clear the film was. Not picture quality clarity, but about the characters, story and lore. The actor who plays the Wolf Man is introduced as such even though we don't 'see' that until later in the film. The lore surrounding werewolves is re-iterated several times to us word-for-word. That felt totally bizarre to me, that there was little mystery left for the audience to unravel. But, one thing this does is have a clear plot for this film while allowing the opportunity to present ideas, or to even question, human nature. Themes of duality, good vs. bad, repression, even mental illness are all touched on. I wish they were explored more, but I'm sure it will be in more werewolf films that we will come to in the future. It did touch more strongly on guilt, worry and dealing with the fear of the 'monster within', which I'm sure will be a re-occuring theme in werewolf films. The idea of being aghast at your own nature, especially when it's new and thought to be irreversible, is a fascinating topic to explore.

One other key element of all werewolf films has to be the effects. What did the creature look like, how did they show the transformation? Without getting too spoiler-y, it's nicest to say that this one feels very 'of it's time'. Often creative editing is at play here, so we don't even always see anything. If the overall atmosphere was ramped up I think it would have worked more and that's the one thing I wanted more of: a creepy atmosphere. I didn't feel transported at all, or was ever scared. It plays mostly like a drama with creature effects but really does feel like it lays the ground work for films ahead.

I'm not seen tons of werewolf films, but so far can tell it's going to be a very different journey than that of vampire films which are often about seduction and power. Here we see full on primal nature and loss of control. Volatile waters ahead, me thinks!

Shannon's Overall View:
I enjoyed it
I'll watch it again
I'd recommend it to fans of classic horror films

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© Shannon Ridler, 2010

* The Wolfathon is a marathon exploring werewolf films in anticipation of the 2010 release of The Twilight Saga: Eclipse

Rabu, 07 April 2010

Clash of the Titans (2010)

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Dir: Louis Leterrier (The Incredible Hulk (2008), The Transporter 2)
Cast: Sam Worthington, Gemma Arterton, Mads Mikkelson, Ralph Fiennes, Liam Neeson, Nicholas Hoult, Alexa Davalos, Pete Postlethwaite
UK/USA, 2010

Seen: April 3, 2010 at AMC Y&D in 2D

Reason to Watch & Review: For the Sword & Sandal Marathon*

To say I was excited when I finally got to sit down in the theatre to see Clash of the Titans (2010) would be an understatement. After doing a whole Sword & Sandal Marathon in anticipation for the film, starting from the nostalgia of the original Clash of the Titans (1981) back in January, I was read for the redux and literally bouncing in the seat in the theatre. I wasn't even that put off that it was delayed a week for the adapt-to-3D, as I knew I would see it in 2D.

A lot of films based in Greek Myth are at the tipping point of believers and non believers these ideas are presented in this version of the film. I think this brings and interesting element to the film and aligning to current day where people may be aware of many different ideologies out there but want to do their own thing and make decisions based on person experience as opposed to a predetermined belief system. Put that in the context of the film, and into a character and you get a total rebel. And everybody loves a rebel.

That rebel would be Perseus, and this is a very different take on his especially compared to the original film. Here he not interested at all in the bigger picture, which breaks the mold for a hero character. It makes this focus for him much more of a personal journey as opposed to a standard hero journey. But, it brings up interesting questions in terms of motivation, drive and loyalty but the focus really is on the adventure and action elements, of which there are many. Sam Worthington does a great job as Perseus here, the rebellious action hero, and I'm sure he'll continue in the action & adventure films, although I do hope we get to see him in other things as well considering he's a great dramatic actor (see Somersault).

One happy surprize of the film was the volume of screen time for Mads Mikkelsen's (After the Wedding / Efter brylluppet, Valhalla Rising) character Draco from Argos. Mads Mikkelsen is such a great actor and this is no exception, he bring a stoic fighter between the old-and-new times to life and breathes a great deal of presence in the film. Another great presence in the film is Ralph Fiennes as Hades, not only a great performance but loved the stylistic treatment of the God of the Underworld. Unfortunately in this version, the ladies really took a back seat. Although I enjoyed the character of Io, played by Gemma Arterton (The Disappearance of Alice Creed & upcoming in Prince of Persia: The Sands of Time), and she's an interesting addition to the story, but she's almost the only woman in the film with a sizable amount of screen time.

One thing that I whole-heartily loved what the all the visual look of the film. I loved the look and feel of it from costumes, to armour to the hair. Actually, the hair took me a bit to get used to but in the end I thought they made brilliant choices. In terms of the Gods, specifically Zeus & Hades looked fantastic and their visual style matched the essence of the characters 100%.

In terms of a sword & sandals film, it's certainly got swords and got sandals. Although it's a different take on a hero type journey, it still certainly has a journey. The focus really feels like it's the action though - and there is a lot of it. There is fighting, creatures, danger and adventure at every turn. I really enjoyed the choices they made here and was surprized that even though there is a lot shown in the trailer, there was still much more to see in the film.

The film was so close to being amazing. So close! I was cheering from the get go, and I hate to say it but it did miss the mark ever so slightly. It did the one thing that drives me the most crazy in films, which is that it didn't stay true to the structure it created. It's sad, and I have no idea why they made that choice because I'm sure it something else would have worked better. But, that doesn't mean it wasn't an enjoyable watch - I did, I had an amazing time watching it in the theatre and I know I'll go again. The action, visual style and the performance make it a very enjoyable film.

One area when it really succeeds is that it's different enough from the original that you can still enjoy both without them being too similar thematically, but still recognizable stories. There are also a few great nods in hommage that fans of the original will enjoy.

Shannon's Overall View:
I enjoyed it
I'll buy it and likely see it again in the theatre
I'd recommend it to fans of action-oriented adventure films

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© Shannon Ridler, 2010

14 minutes of preshow including 3 commercials and 5 previews: Robin Hood (2010), Prince of Persia: The Sands of Time, The Losers, A Nightmare on Elm Street (2010) and Salt

* The Sword & Sandal Marathon is a 13 week marathon exploring sword & sandal films in anticipation of this very film! The 2010 release of Clash of the Titans!

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Rabu, 31 Maret 2010

Pathfinder

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Dir: Marcus Nispel (Friday the 13th (2009))
Cast: Karl Urban, Moon Bloodgood, Russell Means,
USA, 2007

Seen: March 25, 2010

Reason to Watch & Review: For the Sword & Sandal Marathon*

I'm stretching the definitions again for the last installment of the Sword & Sandal Marathon before this weeks release of the Clash of the Titans (2010) with the selection of the 2007 Pathfinder. It's also doing double duty as I get to strike off one more film from my 2010 Own/Unseen Challenge list. I picked up Pathfinder last year, mostly because Karl Urban is in it whom I've been a fan of since Lord of the Rings: The Two Towers where he plays Eomer. He's also in The Bourne Identity, Ghost Ship, The Chronicles of Riddick, but now I think everyone knows him for his spot-on performance as Bones in the 2009 Star Trek. Since I picke dup the film I've also become a fan of Moon Bloodgood (Terminator Salvation) so things were looking promising, no? Not so much. As much as I like both of the actors, they didn't seem to have much to work with in Pathfinder.

This is the only films in the marathon that is actually set in North America, the time line is pre-Columbus and infers post arrival of Vikings. I didn't find this very clear in the film, so I'll admit to help from IMDb here which also states the film is in English and Icelandic. Putting these two things together gives it a Pocahontas meets Predator feel, but imagine the aliens being vikings. Sounds strange I know, but it's as succinct as I can get. The experience of watching it ranged from being confused over the plot to flip flopping back to not really caring. I wanted to care, I really did, but just wasn't happening.

One thing that kept me from connecting with the film was that it was very violent. I would go as far to say extremely violent. I watch lots of action and horror films, but this was really graphic, like blunt objects & blood graphic. So - it that is your thing, you are in luck. For me, not so much.

In terms of a sword & sandals film, it's a stretch - but not as far as a stretch as I originally thought. There are certainly swords and fighting, but the setting makes it so sandals wouldn't be all that practical. That being said, it leads to the one thing I found absolutely glorious about the film: the cinematography. I didn't expect to say this but Pathfinder was a beautiful film to watch for the cinematography. Great use of a cool toned colour story, absolutely magical environments and beautifully diffused light in the backgrounds giving a foggy feel to the beautiful forests. It's no surprized that location listed for the film is British Columbia. I don't think there are trees like that anywhere else in the world.

Yes, out of all things what I got from Pathfinder was it's beauty. Strange, but true. This is why I love doing marathons - you never know what you will end up taking from the films.

Shannon's Overall View:
I didn't love it
I own it, so I'd probably watch it
I'd recommend it as folks who like a combination of epic feel with lots of violence

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© Shannon Ridler, 2010

* The Sword & Sandal Marathon is a 13 week marathon exploring sword & sandal films in anticipation of the 2010 release of Clash of the Titans (2010)

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Rabu, 24 Maret 2010

Troy

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Dir: Wolfgang Peterson (Das Boot, A Perfect Storm, Poseidon)
Cast: Brad Pitt, Eric Bana, Orlando Bloom, Dian Kruger, Brian Cox, Rose Bryne, Sean Bean, Brendan Gleeson, Peter O'Toole, Saffron Burrows,
USA/UK/Malta, 2004

Seen: Originally in the theatre and revisited March 21, 2010

Reason to Watch & Review: For the Sword & Sandal Marathon*

Troy is a bit of an odd one for me. It made my Movie Memories from 2004 (not favourite films, but most memorable experiences) and most of the impression it left with me was not being able to follow it. So, it's not a surprize that the biggest difference I found in revisiting the film, was straight up understanding what was going on this time. When I originally saw this back in 2004 I wasn't that familiar with the story and could only spot Brad Pitt and Orlando Bloom, so most of the time I couldn't who anyone else was, what side they were on, and what their role was. Retrospectively, this feels really funny because now I'm familiar with all of the actors and in fact very fond of always keep an eye out for the work of Eric Bana, Sean Bean, Brian Cox (Red), Brendan Gleeson (Harry Potter and the Goblet of Fire) and of course Brad Pitt.

It's also a film that the reaction to it was very centred about the time of it's release. It came out the same year as Alexander, and together those were several years after Gladiator, so there was a feeling of hopping on the popular train at the time. Although seeing it with some years distance now, Troy does stands up more on it's own than I felt at the time, but there is no denying the Gladiator influence, and even one word for word phrase that was used at a key moment. Also very referential 'of the time' was Orlando Bloom's character Paris, whom out of nowhere appears to have a strong proficiency with a bow & arrow, and I'm sure many of us watching automatically felt like we tripped back into The Lord of the Rings trilogy there.

That being said, it is a solid film in it's own right and gives us a different flavour than either Alexander or Gladiator in several ways. Although in some ways I feel like it could have been called Achilles, and been one more hero protagonist film based on the character played by Brad Pitt, whom gets a lot of screen time and even when off screen they are usually talking about him specifically or the effect or importance of his role in grand scheme of things. But, technically I would say it's an ensemble piece with Achilles on one side and then the brothers Hector & Paris on the other (played by Eric Bana and Orlando Bloom respectively) and all three of them are players of in a game played by higher powers. In this sense it's more of a ground level look at what's going on, as opposed to the regular hero story or a strive for power but rather the effects of what happens when you shake things up. Another different thing is that the character of Achilles isn't particularly likeable. He is skilled and even merciful at times, but carries a resentfulness that makes him hard to root for. But, the conflict here is that he's played by Brad Pitt which, I think by default, most people like regardless of the role. I do think he did a good job here, from the physicality of the role to the complicated combination of being adept but also like he didn't have much choice in what he could. The emotional moments were, let's just say not as strong as the others.

Other the other side of the ensemble we have Eric Bana as Hector. When I first saw this I remember having a conversation afterwards and they talked about how great Eric Bana was, and I couldn't place him at all. This is why revisiting can be a good thing, because one of the highlights this time was just that - Eric Bana's performance of, and the beauty of the character Hector. Got to love Hector, he was the shining star here for me. The straight up, going to do the right thing, kind of guy. He had a great physical presence, during the fight sequences as well as throughout the entire film. I would even say he's felt like the hero on the second viewing, which is so odd to see when it's not the main character.

One thing that isn't the best in Troy is that women have it pretty rough. From the 'it's all one the fault of a woman' thing with Helen to other threatening situations that often come up in any film that would use the term 'spoils of war'. It's not a huge focus, but it is present.

In terms of a sword & sandals film, it hits a lot of the marks that you want from the genre. Big battles, individual battles, pinpoints specific history, interesting and great locations. As it's more current, a lot of the effects are CGI which isn't my personal favourite, but they do showcase the vastness of the battles and places. Overall, I enjoyed it much more then second time round, and was particularly fond of the character of Hector and Eric Bana's performance.

Shannon's Overall View:
I enjoyed parts of it it
I'll watch it again
I'd recommend it to fans of epics that are action/effects oriented

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© Shannon Ridler, 2010

* The Sword & Sandal Marathon is a 13 week marathon exploring sword & sandal films in anticipation of the 2010 release of Clash of the Titans (2010)

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Rabu, 10 Maret 2010

Cleopatra (1963)

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Dir: Joseph L. Mankiewicz (All About Eve, Julius Caesar (1953), Sleuth (1972))
Cast: Elizabeth Taylor, Rex Harrison, Richard Burton
USA/UK/Switzerland, 1963

Seen: March 6, 2010 on VHS

Reason to Watch & Review: For the Sword & Sandal Marathon*

What timing to watch & review Cleopatra (1963) and Julius Caesar (1953), back to back. Not only are they centred on the same time period, have some crossover characters but more so they were both directed by Joseph L. Mankiewicz. Serendipitous is the word as it wasn't planned but made for great timing.

To make it even better, I enjoyed Julius Caesar (1953) but I loved Cleopatra (1963). Seeing as the Sword & Sandal Marathon is pretty male-heavy, I wanted to make sure that I got at least one femme focused film in the bunch. As the films of the marathon have had a strong leaning to either quests, leadership or both, Cleopatra is a perfect fit for this genre. She could take on most of, if not all, of the men I've encountered in the films of the marathon so far. It's thrilling to see a female character that knows exactly what she wants. No flightiness, no indecision, no playing helpless, but lots of strategy, planning, and a lot of patience. How she finds time for romance is a feat, but this is as all of her moves, executed brilliantly. Elizabeth Taylor's performance is captivating & engrossing to watch, she gets across the subtle power over everyone else so well. Also, the chemistry between her & Richard Burton is unbelievable.

A lot of content is packed into the film and you do need patience as a viewer - this film is over 4 hours long. But it's worth it, as it's epic in every way from the vast time line it covers to the elaborate sets & costumes through out. Actually, the costumes alone are worth watching it for. I would love all of the outfits Elizabeth Taylor got to wear in the film, they are beautiful and sultry and fit in all the right places.

In terms of a sword & sandals, it meets the sandals aspect more than the swords. But, even though the fighting in the film doesn't have a lot of screen time the heart of the film is really centred on the play for power and control. Add the epic nature in terms of style and length and it becomes a perfect fit to be included in the marathon.

If it wasn't so long, I'm sure it would be a regular repeat watcher. But for now, I'll save it for special occasions and watch it when I'm looking to be inspired by a powerful woman.

Shannon's Overall View:
I loved it
I'll watch it again
I recommend it as to fans of epics, historical and films with strong female characters

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© Shannon Ridler, 2010

* The Sword & Sandal Marathon is a 13 week marathon exploring sword & sandal films in anticipation of the 2010 release of Clash of the Titans (2010)

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